Protest art is simultaneously the
antithesis of propaganda and a form of propaganda in it's own right,
depending on how you look at it, and perhaps, what side of the issue
you are on. Art often touches on social issues, inequality, and
injustice, but in my mind, in order to really qualify as “protest
art”, some perpetrator of injustice must be implicated.
The witch series I'm working on, for
example, bears themes regarding gender, religious, and culteral
inequality, but doesn't really point the finger at any particular
purveyor of oppression. In order to do that, I think I would have to
take it further somehow and give it a more contemporary context.
Perhaps an instillation which juxtaposes images of ordinary women and
asks the viewer to somehow label which one is a witch. This kind of
thing could be expanded to include a multitude of cultural and
ideological labels which dangerously rub shoulders with stereotypes
including race, socio-economic status, sexual orientation,
subculture, etc. Still, protest art needs to point the finger at
someone or something. Maybe that someone is ourselves.
No comments:
Post a Comment